MISIRUI LC7 Chair #M2232 This seat takes its inspiration from the office swivel chairs that were fashionable in England and in the United States at the beginning of the last century. The vertical legs curve at right angles to become horizontal and meet in the centre beneath the seat to form the revolving mechanism of the chair.

MISIRUI Angie Armchair #M2136 The GamFratesi studio, signing the design, worked on the idea of contrast, emphasising it and juxtaposing the stiff frame of the saddle hide or leather element with the softness of the upholstered part, which can also be seen on the back, so setting the scene for interesting colour combinations of saddle hide and fabric.
The legs are in Pewter-coloured die-cast aluminium and a unique bow-shaped frame connects the feet at the rear, emphasising the curve of the saddle hide or leather body.

MISIRUI YOKO Dining Chair #M2212 Yoko, a light and elegant chair design, merges Japanese names with Scandinavian lines in a piece of furniture that embodies an aesthetic matrix, blending the flavors of two cultures. Thanks to the exceptional craftsmanship of the Japanese-Danish couple Inoda+Sveje, a contrast is formed through continuous balance. The constant cross-referencing between two cultures, styles, and manufacturing techniques results in a project featuring armchairs, dining side chairs, and benches/stools.

Nana is a creation by designer Hanne Willmann, and she found inspiration for the chair by concentrating on softness and thick­ness. As such, it's no surprise that the finished design is reminiscent of tufts of cloud. All in all, Nana was created to offer maximum simplicity and true design perfection with the highest possible level of comfort.

MISIRUI Lepel Chair #M2160 Lepel is a collection of chairs and armchairs designed by Luca Nichetto for Casamania. Lepel, in Afrikaans means spoon. From the spoon, Lepel takes the concept of collecting and accommodating in a rigid structure, contents that are usually soft.

In fact, from the form of the backrest you can guess the wrapping function that covers the seat, which, thanks to the light padding, it is the softest part.The idea stems from the desire to create a design product which is also comfortable and of very high quality, acting on the production aspects in order to optimize production costs and packaging and transport spaces.

MISIRUI Lepel Sewn Armchair #M2131A Lepel is a collection of chairs and armchairs designed by Luca Nichetto for Casamania. Lepel, in Afrikaans means spoon. From the spoon, Lepel takes the concept of collecting and accommodating in a rigid structure, contents that are usually soft.

In fact, from the form of the backrest you can guess the wrapping function that covers the seat, which, thanks to the light padding, it is the softest part.The idea stems from the desire to create a design product which is also comfortable and of very high quality, acting on the production aspects in order to optimize production costs and packaging and transport spaces.

MISIRUI Lepel Armchair #M2131 Lepel is a collection of chairs and armchairs designed by Luca Nichetto for Casamania. Lepel, in Afrikaans means spoon. From the spoon, Lepel takes the concept of collecting and accommodating in a rigid structure, contents that are usually soft.

In fact, from the form of the backrest you can guess the wrapping function that covers the seat, which, thanks to the light padding, it is the softest part. The idea stems from the desire to create a design product which is also comfortable and of very high quality, acting on the production aspects in order to optimize production costs and packaging and transport spaces.

MISIRUI Grace Armchair #M2010 Grace Dining Chair by Emmanuel Gallina is a declaration of style. Always in keeping with current trends in living.
The Grace chair is a true contemporary classic, featuring a slender solid wood frame, with or without armrests, and a soft, inviting seat.

MISIRUI Steeple Chair #M2321 Designer Enrico Franzolini created this collection of chairs that are completely upholstered in fabric or leather. The soft shape extends around the backrests and armrests, and down the legs to the chrome-plated feet, giving the chair a very inviting look.

MISIRUI 46 Armchair #M2237 The 46 Chair | Finn Juhl | 1947
A year after designing the 46 Armchair for Bovirke in 1946, Finn Juhl created a slightly more minimalist version without armrests, now simply known as the 46 Chair. Like its sibling, the 46 Chair offers excellent comfort to the seated person, features intricate details, and represents the very best of Danish Modern furniture design. The chair is upholstered by hand in Denmark in leather or textile. The frame is available in ash.

MISIRUI 46 Armchair #M2236 THE 46 ARMCHAIR | FINN JUHL | 1946
The lightness of the 46 Armchair is emphasized by the distinct separation between the supporting and supported elements. Originally designed in 1946 for the Copenhagen Cabinetmakers' Guild Exhibition for master cabinetmaker Niels Vodder, the chair was refined by Finn Juhl between 1947 and 1949 into a simpler, more streamlined version for the furniture manufacturer Bovirke. This refined version is the one in our collection today. The 46 Armchair consists of a solid wooden frame in ash, combined with a seat and backrest upholstered in textile or leather.

MISIRUI Fil Noir Armchair #M2103 The line or tube actually forms the main body and material of the chair, outlining its shape while also supporting and enveloping it. The line expresses the core decision made when choosing materials. The metal tubes are coated in matte black. An absolutely minimalist choice.

The exploration of how to harmoniously integrate form and function led to the creation of a backrest with an enveloping shape and a comfortable seat, both featuring a metal structure wrapped in polyurethane foam. The internal cushion uses flexible thermoformed material and a polyurethane foam structure, adding comfort to the backrest. These meticulously crafted construction details confirm the company's long-standing expertise in tailoring techniques and reinforce the perception of products known for their high level of craftsmanship.