MISIRUI Fynn Lounge Chair #M3098-1 The signature element of the Fynn seats is the armrest, elongated and slightly curved, rounded and smooth to the touch, 100% handmade.

Its precise, well-defined line identifies the whole family of seats, in the two Fynn and Fynn Saddle-Hide versions. Covered with the exclusive fabrics and saddle-hides in the collection, it fully expresses the high level of the elegant sartorial process. The family comprises armchairs, lounge and dining little armchairs.

MISIRUI Fynn Lounge Chair #M3098 The signature element of the Fynn seats is the armrest, elongated and slightly curved, rounded and smooth to the touch, 100% handmade.

Its precise, well-defined line identifies the whole family of seats, in the two Fynn and Fynn Saddle-Hide versions. Covered with the exclusive fabrics and saddle-hides in the collection, it fully expresses the high level of the elegant sartorial process. The family comprises armchairs, lounge and dining little armchairs.

MISIRUI Daiki Armchair #M3110 Designed by Marcio Kogan / Studio MK27, Daiki is a family of seats inspired by the Brazilian architect's passion for Japan and its culture. The range includes comfortable bergères, fixed and swivel armchairs, with or without armrests, and a fixed footstool.

MISIRUI Etienne Bergère Armchair #M3158 Blending art and design, the Etienne Bergère armchair combines the sculptural features typical of Roberto Lazzeroni with elegant contours reduced to their essence, creating a sense of lightness thanks to the swivel metal base detail.

MISIRUI Martha Armchair #M3155 The Martha armchair was created from the project of the famous designer Roberto Lazzeroni, in collaboration with Poltrona Frau. Its soft lines and the choice of contrasting materials give the seat a light and modern elegance.

MISIRUI Platner Armchair #M3139 First introduced in 1966 by Warren Platner, this design immortalises the gentle and graceful shapes of mid-century decor.

Created by welding curved steel rods to circular and semi-circular frames that serve as structure and ornament, this piece will imbue your living space with an air of refinement.

MISIRUI Yoko Armchair #M3131 Yoko, a light and elegant chair design, merges Japanese names with Scandinavian lines in a piece of furniture that embodies an aesthetic matrix, blending the flavors of two cultures.

Thanks to the exceptional craftsmanship of the Japanese-Danish couple Inoda+Sveje, a contrast is formed through continuous balance. The constant cross-referencing between two cultures, styles, and manufacturing techniques results in a project featuring armchairs, dining side chairs, and benches/stools.

MISIRUI Suit Chair #M3123 There's nothing better than making a good first impression that combines professional elegance with an individual personality. With the fully upholstered Suit chair, Monica Förster introduces a new standard of seating comfort for restaurants, workplaces and homeowners with a strong sense of style.

The distinctive silhouette of the Suit, with its elegant open back and flowing lines, effortlessly matches the contours of the body. It's a surprisingly comfortable and inviting chair, whose soft upholstery embraces the user like a chic tailor-made suit. This unique chair will add an exclusive elegance and individuality to any space.

MISIRUI Crown Armchair #M3103 The Crown Armchair is cleverly constructed, with a playful element to it. It's backrests are perched on the armrests, seemingly unsupported but in fact relying on a strong, concealed steel joint.
Crown's distinct design gives it open transparent surfaces, and creates new expressions depending on its placement in the room. This comfortable chair suits just as well around the desk or conference table, as the dining table.

MISIRUI Eames Lounge Chair #M3096-2 The Eames Lounge Chair, designed by world-renowned designer CHARLES EAMES (1907-1978) and his wife RAY (1912-1988) in 1956, is also known in Chinese as the Ims Recliner or Emperor Chair. It later became a permanent collection piece at the Museum of Modern Art (MOMA), one of America's most important modern art museums.

The Eames Lounge Chair is considered one of the most influential works of the 20th century, representing a perfect blend of modern industrial technology and traditional craftsmanship. It showcases the designers' pursuit of both functionality and aesthetics, filling a gap in furniture history.

MISIRUI Le Club Armchair #M3080 The Le Club armchair reinterprets one of the design archetypes of the last century in a contemporary key. The lightweight and minimal design of the voluminous leather club armchair is rendered more up-to-date. Le Club retains the curved lines and unparalleled comfort of the armchairs from which it takes its inspiration but lightens bulk to imbue a more casual, contemporary elegance that echoes the design forms of the 1970s.

MISIRUI Chieftain Lounge Chair #M3126 Designed by Finn Juhl in 1949, the Chieftain Chair is now an icon of Danish furniture art. Comprised of a sculptural teak and walnut frame with luxe leather upholstery, the chair was inspired by primitive weaponry, as is evidenced in the chair's distinctive shapes.

Designed for the Cabinetmaker's Guild in Copenhagen in 1949, King Frederick IX sat in the chair, giving the chair the nickname, "King's Chair" by a journalist. Juhl insisted that the chair be named "Chieftain" instead, as it was less pretentious. The chair is known for presenting a pivot in the direction of Danish furniture design, and remains one of the most celebrated furnishings to come out of the Danish Modern Movement. The chair is both elaborate and streamlined, and exudes grandeur and sophistication.